By the Renaissance, writers such as Shakespeare were talking of "star-crossed lovers", couples bound together by an overwhelming connection yet pulled apart by family, fortune or fate, as if the universe itself both wrote their love story and barred them from a happy ending.
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吴炜伦认为，他怀念的不是夜总会，而是“冇落闸嘅步骤”——以前尖沙咀几乎没有铺头落闸，一间倒下很快有人顶上。而现在，“十间铺有八间落闸”。拍戏时，他想重现当年的街景，却发现根本做不到，因为现实的街道已经空了。