Have good taste? It may just get you a job during the AI jobs apocalypse, says Sam Altman

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Back in 2016, Hayao Miyazaki, the director of movies such as Princess Mononoke and Spirited Away, was shown new technology that used AI in order to animate models. Faced with a zombie that utilised its head to move by knocking its skull against the ground and wriggling its body like a fish, Miyazaki declared what he had seen was “an insult to life itself”. It’s hard not to watch the clip without feeling slightly seared – but now, a decade later, the ashen-faced developers from that room have sufficiently recovered to make their work widely available.

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Fujifilm’s Instax Wide Evo Hybrid is nearly identical to the Instax Mini Evo. You can use it to print photos directly from your smartphone, though the $409.95 camera also comes with a 15.67mm lens — the widest used on any Instax camera — for taking wide-format pictures. Ultimately, I preferred the smaller, more travel-friendly Mini Evo, but if you’re into wide prints (and don’t mind spending twice as much), the Wide Evo Hybrid is rather fun. The photo quality is solid and on par with both the Instax Mini Evo and Instax Mini 12. The main difference is that the Wide Evo’s lens captures a broader field of view. It also offers a few additional lenses and film effects, giving users a bit more creative control. I especially liked the Degree Control feature, which lets you fine-tune the intensity of each lens effect applied to your image.

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